A tenet of slam poetry is that a winning poem needs a strong
hook - the line / image / idea that yanks the audience in.
When I pick up a book, I look for a hook. Serious readers, like my brilliant friend
Claire Light, would be appalled. But I open books I'm considering at a random page. Within 30 seconds of skimming, at least one line has to grab me, or back they land on the shelf. I'm a poet - I go for beauty, musicality, of language; shape and elegance of sentences.
When I want to live dangerously, I read the opening and closing passages of books. Yes, I know - to read the end of a book before you begin it trashes every article of faith between writer and reader. But it works for me. If an ending has the power to pull me in, before I even know the story, then I'm willing to go back to page one and commit.
Michael Ondaatje gets me every time, with his openings and closings. I picked up his latest novel this morning:
Divisadero, from a bag of books left out on the pavement for gleaners in El Cerrito.
Free book abundance: another reason to love the Bay Area.
First line:
When I come to lie in your arms, you sometimes ask me in which historical moment do I wish to exist. Whoa. Knocked the breath right out of my body. I had to sit down.
And it conjured, with dazzling clarity,
New Year's Eve 2005/6. That borderline where I always wonder
in which historical moment I exist.......
You've got me, Michael. I'm on board for the ride.
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